Its brown rusted roofs, punctuated by few
corrugated aluminium roofs, are washed each morning by the rain of dews. The
ray of sun that sweeps the city at midday wrings wild fragrances from its
towering bushes. And at night, the castanet music of the crickets, the croaking
symphony of the frogs and the beautiful glimmers from the fire-flies lull its
inhabitants to sleep. This is Ebite –Amafor, the countryside in Umuahia, Abia
state that houses the National War Museum.
If you were not around during the civil war, you
might never be able to imagine the horrendous effects of a war that tore the
fabrics of this nation to shreds. This is because those who wrote it in the
textbooks and those telling the stories can hardly capture the true picture
with mere words.
The closest attempt to represent the Nigeria’s
Civil War in print is the work of the award-winning Chimanmanda Adiche in her
Half of a Yellow Sun. But the poor reading culture has damaging impact on
Adiche’s efforts to document history in fiction. Hence, we all forget in a
hurry.
But the human and material costs of Nigerian civil
war are so colossal that we cannot afford to forget them in a hurry. Its
scientific and technological innovations are most insightful; and should not be
dumped into the pit of forgetfulness. Also, its economic and tourism potential
are huge, thus, should not be left to rot in the heart of a village. The
National War Museum therefore presents three possibilities that we cannot
afford to bury in the sod of forgetfulness.
First, the arsenal of heavy-duty machine guns,
armoured vehicles, aircrafts and warships displayed at the outer gallery paint
a picture. They paint a picture of the reality of a war, and how costly it was.
You would imagine in your head, how many lives were cut short and how many
homes were visited by sorrow courtesy of this arsenal.
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When you walk through the photo gallery and you
look and read on both sides of the stairs; pictures and names of legends of the
civil war; you cannot but admit that Nigeria is a state blessed with men of
clout and gallantry.
After descending through the stairs to the
underground gallery, you need the heart of a lion to behold the horrible
pictures hung on the walls. The pictures of children turned-apes by groaning
starvation, the plague of kwashokwo
and shred of human flesh tore to pieces by grenades.
You will struggle with tears when you look at a
picture of an emaciated mother feeding her son with a milkless, dehydrated breast; and the son sucks; just to stay alive.
Those who are alive in the photos have death dangling on their faces, like the
Roman Catholic bell. They have seen death; they only expect it to come either
by starvation or annihilation.
By the time you exit through the burrow created by
the former warlord, Odumegwu Ojukwu, as an escape route, you would sigh a
hundred times and silently ask: how did this happened? What led us to this? Was
there no alternative to this war? Also, you would unconsciously mutter some
words of prayers that God forbid this again.
But in sheer forgetfulness, these monuments rot and
rust from rain and shine that beat them day and night. The surrounding bushes
are covering up the significance of this historical monument. Most pitiable
however is that government officials- many of whom were not born, or too young
during the war, look the other way when they pass through the jungle road that
leads to the museum.
Ironically, these are people who need to be
schooled in this museum. The Nigerian political and elites’ class need to be
reminded through this museum, the fierce urgency to contain the snippets of
violence ravaging the country today.
Second, when President Goodluck Jonathan visited
the South- East during his campaigns, he opined that the first Nigerian made
air-craft will be “made-in-Aba”. I think the President is a good student of
history- he may not have forgotten so soon and he had said that as
patronisingly to the people of Aba. The President’s assertion I think is
against the backdrop of “Aba- boys”creative
ingenuity to imitate anything. One may safely conclude that technological and
scientific ingenuities midwived during the civil war were prematurely buried in
Aba.
A Biafran-Made Machine gun. Marked on it is the
Biafran emblem. Red signifies blood; Black, mourning and Yellow, the rising
sun of Biafra - a new nation!
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The arsenal of weapons displayed on the
gallery are of two brands – ‘made in Biafra’ and the ones imported by the
Nigerian government. The Biafran engineers and scientists (like their protégées
in Aba) quickly went to work and imitated any new weapon acquired by the
Nigerian government. Of course, Biafra also imported some air- crafts, for
example, “the Biafran baby”, but a large part of their weaponry were
made in-country by local engineers and scientists – sons of soils!
This opens another dialectics to the Nigerian Civil
War; it is an era of technological, scientific and intellectual advancement.
The Biafran sides were master-imitators. They imitated air-crafts,
armoured-vehicles, radio transmitter, e.t.c. One should be thinking they
fathered the ‘Aba Boys’.
Worthy of note is that they coined indigenous Igbo
names for all their crafts and rename the captured ones in Igbo too. For example,
“Ogbunigwe” (mass killer) is a name of a missile engineered by Williams
Achukwu and members of the SIT group to stop the then newly acquired Nigerian
low-flying Russian MIG 15 jet fighter. This missile also killed thousands of
Nigerian troops at Awka, near Onitsha.
The Biafran-Mande Grenade Launcher called “Ogbunigwe” (mass killer) |
The big question is where are those gallant
scientists and Engineers? Perhaps they are languishing in remote villages East
of the Niger. We have forgotten that some of them paid the supreme price for
the Nigeria we are today. We have forgotten so soon.
Third, it is only a forgetful nation that can
obscure how much wealth values is accruable from tourism in the world today.
It is arguable that the first two reasons above are
core to the establishment of the museum. It is however noteworthy that if
Nigerian entrepreneurs, investors and government obscure these purposes, it
would mean a huge loss, not only in pecuniary gains, but in historical forms.
If something is not done fast, the museum could
fade away, like the stories of the war. The museum would soon be forgotten like
we have all forgotten about the pains and agonies of the war. History may keep
sleeping in the heart of Abia State like the officials of the museum sleep due
to idleness and in-activities.
A Biafran-Made Machine gun. Marked on it is the Biafran emblem. Red signifies blood; Black, mourning and Yellow, the rising sun of Biafra - a new nation! |
Today, Obudu Cattle Ranch attracts tourists from
with-in and outside Nigeria because the site is well cultivated and the
facilities are state-of-the-art. The hospitality industry is flourishing there
and of course it took a number of people off the unemployment row. Also,
private beaches are springing up in
Lagos. These are beaches with well secured and
ample facilities where business executive, government agencies and corporate
entities hold meetings, conferences and share in the beauty of natures. It is
needless estimating the profits of the daring entrepreneurs who took up the
challenge of investing in tourism and hospitality.
The National War Museum also has these potentials.
It is situated in a serene, conducive environment. The grandeur of Nature from
the hills is splendid as well as spectacular. The nascent Ebite-Amanafor
village could be gentrified because it still has vast expanse of land lying
fallow. It is only natural that economic activities in Abia State and its
environs will receive a boast if the government and investors take a second
look at the reasons for establishing the museum.
The government should not forget in a hurry, the
cost of the war. It should explore all available avenues to preach the gospel
of peace. The cost of bombings, attacks, arsons, etc are souring by the day.
Therefore, the government should collaborate with investors to preserve this
historical monument for generation yet-to-be-born.
We do not have another civil war at hand, but the
human and material costs of the Snippets of religious, political and ethnic
violence are alarming. Rather than take cue from history, we forget history,
forgetting that history should mould today and today should plan tomorrow.
Let us wake up from the tranquilizing dose of
forgetfulness and make the National War Museum stand like rainbow, reminding us
that we shall never go to war again.
An panoramic view of the Ebite-Amafo community in Abia State. |
The Interior of the War ship used during the war by the Nigerian side. |
Front view of the war ship. |
Another interior part of the war ship. |
One of the foreign-made armour tanks. |
3 comments:
bro, dis is an eye opener and also d truth. Weldone and i pray dat ur memory will not retard.
Sesan nice one here. Aside from the fact that you showed us pictures; your words are as well pictorial.
Hello, we love this post and would to cull it for use on our site. Get back to us at admin@visitnigerianow.com.
Thanks
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